Zero-waste, self-sustaining house installation opens at Fed Square

self sustaining house
sustainable house design

Zero-waste, self-sustaining house installation opens at Fed Square

The self-sustaining, zero waste, productive house demonstrates the potential homes have to provide shelter, produce food and generate energy. The three-storey, two-bedroom home has the capacity to grow and cultivate fruits, vegetables, herbs, fish, mussels and snails, and all in an 87-square-metre footprint.

The home also features an aquaponics system, a charcoal tank, a digestor, closed loop shower and water oxygenation system.

    Zero-waste champion Joost Bakker’s latest project, a closed-loop home and urban farm, has opened in Melbourne’s Federation Square, the original site of Bakker’s first restaurant a decade ago.

    All waste from the site is used to power the house and grow nutrient-dense produce and building materials have been selected for their healing or recyclable properties. The walls, floor and ceilings are made from a straw-based, fire-resistant panel called Durra Panel, which uses the hollow stalks leftover from harvesting wheat and other crops – one of the world’s most common waste products.

    For Bakker, this is his fifth iteration of his “greenhouse” prototypes, which included the world’s first zero-waste restaurant Silo by Joost in 2012.

sustainable house

    “I want this to be a catalyst for greater sustainability and self-sufficiency in urban settings,” Bakker says. “I think in the future, we will all live like this.”

Chefs Matt Stone and Jo Barrett, formerly of Oakridge Winery, will live in the house for the duration of the installation. Known for their zero-waste experimental dishes, Stone and Barrett will spend their residency at the house planting, harvesting food and showcasing the ingredients with on-site dinners, prepared using Miele’s energy-saving appliances.

self sustaining design australia

After the home’s stint at Federation Square, it will be packed up and moved to regional Victoria, where it will then serve as home to Bakker’s retired mother. “When she came through the house, she looked around and said ‘Oh, this will be easy to maintain,’” Bakker laughs. “Most people freak out about all the work there is to do.”

Greenhouse by Joost, supported by Miele, is open at Federation Square until June. Check out the website for more information about tours and dining experiences.

written by : Cassie Hansen
26 Feb 2021
published in : architectureau.com

Gallery of Zero-waste, self-sustaining house installation opens at Fed Square

Zero-waste champion Joost Bakker’s latest project, a closed-loop home and urban farm, has opened in Melbourne’s Federation Square, the original site of Bakker’s first restaurant a decade ago.

sustaining house design
sustainable house
self sustaining house
sustainable house design
self sustaining house

Thomas Schütte

thomas schütte

Thomas Schütte

    Since the late 1970s—when he studied with renowned German artist Gerhard Richter—Thomas Schütte has been subverting traditional art historical genres through his eclectic output of sculptures, prints, installations, drawings, watercolors, and photographs. Schütte makes familiar forms of expression, like memorial portraiture and figurative sculpture, strange through evocative, often disturbing alterations, such as in his treatment of the female nude in his “Bronzefrauen” series (Bronze Women, 1999-ongoing) where figurative shapes morph into abstract or mutant forms, or his “Alte Freunde” series, in which the subjects’ despondent expressions highlight the vulnerability of the individual against the cruelty and complexity of the vast world. Through his work he explores the human condition, offering a critical perspective on social, cultural, and political issues and visually eloquent commentary on memory, loss, and the difficulty of memorializing the past.

    On a visit to the Konrad Fischer Galerie in 2016, Rolf Fehlbaum discovered the model of a log cabin conceived by Thomas Schütte. Fascinated by the structure, Fehlbaum asked the artist if he could imagine a full-scale realisation of the project on the Vitra Campus. In 2018, the Blockhaus became the newest building on the company premises, forming a contrast to the architectural works by other figures. On the occasion of the official opening, the artist Thomas Schütte offered insights into his work.

    The Blockhaus is a hybrid structure – both object and functional space – and the first architectural work on the Vitra Campus that was created by an artist. How does this project diverge from the approach and implementation of other buildings on the premises?

    ”I think the main difference is that I didn’t have to fulfil any expectations. If someone orders a hotdog, I can bring him a steak. Or even just a bottle of water. I am not financially involved in the realisation of the project, so I don’t have an ego problem. And I don’t have a signature style. Basically, I’m presenting an idea, and most of the time the idea is realised in a way that is ten times better than expected. But you still never know. I have good friends who are architects, and they are happy when I can work with them, because then they have a completely free hand in the project’s implementation. Normally an architect can’t do very much, because the banks and financial backers make the decisions. But the main difference still lies in the fact that I am not bound by such constraints; I can define the task myself.”

    ‘It was the most crooked, and the most unrealistic wooden bricolage that was amongst the choices. And I think the reason is, it’s so different from the other buildings that it makes some sense.’ Thomas Schütte, responding to a question from Rolf Fehlbaum, who discovered a model of the Blockhaus at a gallery.

published in : www.artsy.net

Gestures Of Minimalist Elegance

Gestures Of Minimalist Elegance

    The store’s interior design of cosmetology brand “Meunier Technology Beauty”, is underpinned by a stripped-back, minimalist sensibility that belies a rich amalgam of contradictions: slender, lightweight metal and glass furnishings converse with chunky blocks of concrete; smooth, curvaceous forms are set against rugged, craggy textures; and shimmering, polished brass surfaces are juxtaposed with muted expanses of cement.

    Far from saturating or confounding the senses, these antagonistic statements in mass, form and texture are harmoniously combined into a sculptural composition aided by the mirrored ceilings and the mellow daylight filtering in from the building’s glass facade.

    More than an architectural gesture of minimalist elegance, the contradictory sensibility of DOMANI’s interior design poetically alludes to the complexity of the female identity and the intricacies of contemporary feminism, as well as reflects the antagonistic yet symbiotic relationship of external and internal beauty.

    The sculptural quality of the interior design is primarily based on the collection of bespoke furniture by A&V, the studio’s design brand, which range from slender, undulating brass benches and razor-thin brass table tops that seem to be suspended mid-air thanks to a glass base, to the deconstructed composition of concrete volumes in the lounge area. The latter is a sculptural installation of abstract expressionism but it’s also a metaphor for the complexity of the female psyche: softly curved and delicately sculpted yet heavyset and robust with “damaged” spots that represent the “scars in the historical evaluation of feminism”.

    Smooth concrete surfaces, polished brass furnishings and mirrored ceilings that echo the design language of the public areas imbue the rooms with a soothing, hypnotic ambience that aid relaxation. Meanwhile, above the treatment beds, undulating mirrored panels that evoke rippling water greet guests as they open their eyes after a treatment which can also be construed as a clever retelling of the myth of Narcissus: unlike the doomed youth who looked sadly down into the water, guests at Meunier look up at their reflection with a sense of elation

    Headquartered in Guangzhou, China, DOMANI has committed to providing creativity and design for each forward-looking customer in architecture, interior and products since its inception in 2005. We devise a high-level integrated, sustainable commercial design that exceed the client’s expectations. With high premium space works, our energy and competency have attained remarkable market feedbacks. Awarded by prestigious international prizes, we have consistently ranked amongst the top architecture and integrated design studios in Asia.

    DOMANI adheres to a rigorous professional attitude. We are a team of diverse talents, working alongside a great number of other specialist consultants. Through comprehensive project management, we strive for the best in various architecture projects. All of our responsible design solutions reflect an international perspective.

 

written by : Richard Misso
4 December 2020
published in : designaddictsplatform.com.au

Gestures Of Minimalist Elegance

    The store’s interior design of cosmetology brand “Meunier Technology Beauty”, is underpinned by a stripped-back, minimalist sensibility that belies a rich amalgam of contradictions: slender, lightweight metal and glass furnishings converse with chunky blocks of concrete; smooth, curvaceous forms are set against rugged, craggy textures; and shimmering, polished brass surfaces are juxtaposed with muted expanses of cement.

Henning Larsen Wins Competition for a Mixed-Use Development in South Korea

Henning Larsen Wins Competition for a Mixed-Use Development in South Korea

   Henning Larsen’s proposal for Seoul Valley was selected as the winner of the Central Seoul Development Competition. Seeking to become a new home for the public in the center of the city, the mixed-use development “merges Seoul’s global commercial profile with an ecological return to downtown pedestrian life”. Other entries included schemes by MVRDV and SOM.

    Located on the northern border of Yongsan-Gu, one of Seoul’s central districts, the winning proposal of the 360,644 m² mixed-use urban development, is designed by Henning Larsen in collaboration with local architect Siaplan and retail consultant Benoy. Mixing office, retail, hotel, and residential program within a public podium, the project will enter the Schematic Design phase in the spring of 2021. Aiming to meet the goals of Seoul’s 2030 plan, Seoul Valley creates a comfortable and vibrant space for locals and visitors.

    Seoul Valley is such an exciting project for central Seoul. For well over a decade the city has been actively working to revitalize its urban fabric, focusing on the spaces between buildings and the pedestrian links. Seoul Valley fits into that vision, promising to bring public life back to the center not just through shops and amenities but through a design that focuses on public comfort, greenery, and local tradition. —

Jacob Kurek, Henning Larsen partner in charge.

    Seoul Valley merges both human and city scale. Fragmenting its elements into numerous smaller masses as they meet the elevated ground floor where they generate gardens, terraces, and courtyards in between the structures, Seoul Valley invites pedestrian flow to access the project from a sprawling tribune stair on the north side and along the Seoul Skygarden Park to the south.

    Office and hotel towers cluster around a leafy core: a Biospheric Layer mitigates pollution, a Percolation Layer blocks noise and forms a lush green interior, and a Conscious Layer stimulates the senses. The massing is the result of extensive wind and climate studies, aimed at reducing heat buildup and prolonging the outdoor season. Retail modules are dispersed throughout the site, creating a free-flowing, ever-changing space that encourages lingering and exploration.

    As an industry, we’ve known for a long time the benefits of daylight, exterior views, greenery…but such benefits are often pushed to the side in favor of maximizing frontage in commercial design. Shopping in the future won’t necessarily be about coming out of the shop with a bag, so our goal with Seoul Valley was to have both. In the end, we believe the whole is more than the sum of its parts. — Jacob Kurek, Henning Larsen partner in charge.

written by : Christele Harrouk
30 November 2020
published in : archdaily.com

Henning Larsen Wins Competition for a Mixed-Use Development in South Korea

    Henning Larsen’s proposal for Seoul Valley was selected as the winner of the Central Seoul Development Competition. Seeking to become a new home for the public in the center of the city, the mixed-use development “merges Seoul’s global commercial profile with an ecological return to downtown pedestrian life”. Other entries included schemes by MVRDV and SOM.

Australia is Building the World’s First Coral Conservation Facility

coral conservation facility

Australia is Building the World’s First Coral Conservation Facility

    Contreras Earl Architecture has revealed its design for the world-first coral ark. Located at the gateway to the Great Barrier Reef in Port Douglas, North Queensland, Australia, the conservation facility “aims to secure the long-term future and biodiversity of corals worldwide which are under severe threat due to climate change”.

Dedicated to the future of corals worldwide, the Living Coral Biobank, designed by Contreras Earl Architecture, with leading engineering and sustainability consultants Arup and Werner Sobek for the Great Barrier Reef Legacy, is the first facility of its kind. Focusing on taking care of 800 species of the world’s hard corals, the new building is a “living ark”, with next-generation renewable energy design, creating optimal conditions for coral storage while minimizing energy consumption and solar gain.

    Securing the living biodiversity of the world’s coral species immediately, the 6,830 sqm multi-function center will also host exhibition areas, an auditorium, and classrooms as well as advanced research and laboratory facilities over four levels. Commissioned by the Great Barrier Reef Legacy, the project responds to context, climate, the user, and its function to protect 800 species of coral. The volume, inspired by the mushroom coral, takes a series of organic undulating concrete fins, on the façade, “clustered closely at ground level to offer protection from adverse tropical conditions including threats of a flood”. On higher levels, the fins twist and unfurl, allowing natural light and ventilation while providing solar shading. On another hand, the visitor’s’ journey is defined by an architecturally manipulated play of light.

    Responding to the need to conserve the corals in a highly controlled environment as well as the requirement for biosecurity to prevent cross-contamination, sustainability is at the core of every design decision, aiming to be self-sufficient and carbon neutral. In fact, the structure was divided into six compatible climate zones over four levels, with adjacencies minimizing energy resources used for climatic control. 

written by : Christele Harrouk
11 November 2020
published in : archdaily.com

Sutherland Shire entertainment center gets the final go ahead

Sutherland Shire entertainment center gets the final go ahead

    The Sutherland Entertainment Center holds an important place in the collective memory of the Sutherland community. Designed and built in the 1970s primarily as a musical venue, the then ‘Sutherland Civic Centre’ relied on an inward focus on its auditorium and on a narrow public address to Eton Street.  This was a time when buildings like this relied on a separation between inside and outside and where spaces such as the foyer had only one purpose.  This was also long before the development of Peace Park to the building’s north.

Fast forward to the present day.  What we now find is a 40+ year old building which is in relatively good physical condition. However, as a modern day public venue, it must now cater to a diversity of cultural and technical needs. It must have a more open outlook and offer more to its community, both in terms of its relationship with its immediate surrounds but also in its spatial flexibility.

    Our proposal seeks to offer a new and more engaging address for the Entertainment Centre by virtue of a friendlier and integrated relationship with Peace Park.  This speaks to an opportunity to re-affirm Peace Park as the civic heart of Sutherland – a place with stronger connections not only to already established civic institutions but also with anticipated future developments within the Sutherland Town Centre.

    Just as there is much spatial potential between the building and the park there are also wonderful opportunities to re-use much of the building’s current fabric.  We propose that the existing black box space and administration building be retained and re-purposed to be café / theatre bar and foyer on the Ground Floor and multi-purpose community room and rehearsal space on Level 1.  Likewise, the structure and facade on the north side of the building would be adapted for new uses such as restaurant, kitchen and stores on the Ground Floor; Administration spaces on Level 1 and Green Room on Level 2, each with a view of the park and connected by the existing ivy clad egress stair.

    The auditorium also retains much of its surrounding envelope but will become an entirely new and lively space.  The existing flat floor will be transformed into a more immersive tiered seating arrangement and all acoustics, accessibility and back of house functions revitalised to provide a venue with broad appeal for audiences and performers alike.  The new theatre will be designed to meet or exceed national benchmarks for Performing Arts Centres, achieving a four star rating for theatres on the local, regional and national touring circuit.

Sydney’s Sutherland Shire Council has voted unanimously to go ahead with the largest infrastructure project in the council’s history, the redevelopment of its Civic Centre.

    A state-significant development application for the proposed Sutherland Entertainment Centre was approved in October.

Chrofi and NBRS Architecture won a design competition for the project in May 2019. Their winning scheme included a verandah structure that will be added to the north of the existing structure, the Sutherland Civic Centre, and form a large foyer space and connection to the adjacent Peace Park.

Other works include a refurbished theatre with tiered seating, a fly tower over the stage to cater for diverse performances, flexible teaching and rehearsal spaces, a new entry court incorporating flexible outdoor events space, and upgrades to Peace Park.

    “The Sutherland Entertainment Centre has been a much loved and well used performance and events space for over forty years, but we all acknowledge it is in need of a refresh to ensure it can continue to be the region’s premier entertainment destination for many years to come,” said mayor Steve Simpson.

“Plans to redevelop or replace our Entertainment Centre have been floated for almost as long as the building has been standing, with plans to upgrade the facility first brought before Council in 1984.

Construction will begin in early 2021, and completion is expected in 2022. The council is continuing to seek funding from relevant government agencies to support the project.

written by : ArchitectureAU Editorial
19 Nov 2020
published in : architectureau.com

Sutherland Shire entertainment center gets the final go-ahead

 “The Sutherland Entertainment Centre has been a much loved and well used performance and events space for over forty years, but we all acknowledge it is in need of a refresh to ensure it can continue to be the region’s premier entertainment destination for many years to come,” said mayor Steve Simpson.