Malvern Garden House by Taylor Knights

Malvern Garden is a ‘modernist relic’ of concrete and glass forms the heart of this renovated 1930s heritage home by Taylor Knights, where sanctuary means lush gardens and open, airy spaces secreted away in a busy Melbourne suburb.

The way we live our lives has changed considerably over the past century, yet our cultural notions of the “home” have remained broadly the same: a refuge for ourselves and our families and a repository for the objects that we value that represents elements of who we are. The concept of the home as a refuge dates back at least to the Victorian era, with a growing awareness that individuals and their children needed protection from the chaotic metropolis. The advent of modernism at the turn of the twentieth century, however, introduced a contradictory tendency, that of prospect: the home became a place from which occupants could apprehend the world and connect with nature.

Designed by Taylor Knights, this elegant renovation of a 1930s heritage home in a leafy pocket of Melbourne is at the intersection of these two competing inclinations: it is a sanctuary, hidden from the street with a multitude of different spaces to inhabit, and it is a glazed pavilion that dissolves into a lush garden, saturated with light and air.

Positioned on a steeply sloping site that falls from west to east, the original house was comprised of a series of cellular rooms with a discrete kitchen at the east end, high above the garden below. The brief for this young professional couple and their (soon-to-be) three children was to reposition the living areas to provide better connection to the garden beyond and to update the heritage fabric to suit the demands of a modern, growing family. The bedrooms upstairs – remnant of a 1980s renovation – were to be reconfigured, with new bathrooms and ceilings to take advantage of the volume within the existing attic space.

The lower ground was to be updated to accommodate visiting family members and friends in a manner that provided them with privacy and separation from the rest of the house. A home office would be accommodated within the mix, enabling both parents to work part time or work from home as required.

The key design strategy was to reposition the kitchen and dining areas in a new pavilion-like structure at the north-western corner of the site. Projecting out from the highest point of the land, the addition could open directly onto the garden at grade and benefit from an abundance of eastern and northern light over the course of the day. Formally, the pavilion appears almost as a modernist relic – a glazed volume sandwiched between two off-form concrete slabs, with native grasses shimmering over a concrete parapet. Stepped ziggurat mouldings in the opposing cast concrete corners of the pavilion conjure references to Venetian modernist Carlo Scarpa, while a deep aperture in the concrete ceiling of the kitchen nods to Le Corbusier’s late modernist experiments with béton brut.

Simultaneously, the pavilion responds directly to the language and geometry of the existing heritage house, referencing its corbelled brick eaves and the heavy, textural and crafted quality of its brick and render facade. Heavy and light, textural and abstract, the pavilion represents tendencies toward both the notions of “refuge” and “prospect,” which can be modified though the opening or closing of the pavilion’s glazed corner.

In both the formal composition and materiality of the house, a tendency towards reduction is paired with careful detailing. A single fixed pane of glazing adjacent the pavilion illuminates the living space with northern light, and provides an elegant transition between the new and existing structures, allowing the pavilion to be read against the field of Marseilles terracotta tiles on the existing roof. Internally, concrete, American oak, steel and glass predominate, complemented with neutral terrazzo and marble. Taylor Knights was at pains to provide material consistency throughout the house, using American oak boards as formwork for the pavilion’s concrete ceiling, for instance, in a textural echo of the adjacent living room’s timber ceiling.

According to director James Taylor, the landscape is conceived of with equal importance, spatially and experientially, to the architecture throughout their projects. At Malvern Garden House, much of the magic lies in the relationship between the two. From the first step through the front door, the visitor is greeted by a view out onto lush and varied vegetation. Landscape architect Ben Scott has provided a scheme of zoned planting that offers a birch forest canopy to the ground floor windows, a fern garden to the lower ground and a dichondra-covered terrace at the upper level. A galvanized steel platform hovers in-between, providing a permeable place to sit among the tree tops and native grasses, while a whimsical steel slide offers a fast way to make your way to the bottom. Internally, window seats in the kitchen and children’s playroom orient themselves to the yard and allow the inhabitants to sit out “in” the garden from within, and a concealed courtyard that opens onto the main ensuite provides a bathing experience among the ferns. Carefully considered and deliberately executed, this thoughtful renovation provides a sanctuary that facilitates respectful engagement with the natural world.

Products and materials

Roofing

Lysaght Klip-Lok 700 Hi-Strength cladding in Colorbond ‘Shale Grey’; off-form concrete

External walls

Austral Bricks 140-millimetre 150 Series standard grey block; off-form concrete

Internal walls

Austral Bricks 140-millimetre 150 Series standard grey block

Windows

Vitrocsa double glazing; custom steel windows by Tescher Forge

Doors

Custom steel and glass doors by Tescher Forge

Flooring

Existing Tasmanian oak floors; Hanson Construction Materials concrete

Lighting

Douglas and Bec Y Chandelier 04 in ‘Blackened Brass’; Allied Maker Aperture Sconce in ‘Blackened Brass’ with glass in ‘Opal’; Apparatus Cloud 19 Chandelier from Criteria; Rakumba Capital pendant by Archier from Cafe Culture and Insitu; Great Dane Caché Pendant; LPA Lighting and Energy Solutions Visi downlights; Ambience Lighting Flow adjustable downlights; Artefact Industries T-Mini adjustable track lights; Flos UT Spot lights from Euroluce

Kitchen

Miele integrated dishwasher, built-in fridge-freezers and microwave oven; Ilve 90- centimetre Quadra Series cooker with teppanyaki plate from E and S; Qasair Albany rangehood from Condari; Hisense stainless steel bar fridge; LG microwave oven; Oliveri sinks from E and S; Gessi Oxygene gooseneck kitchen mixers from Abey; Phoenix Tapware Vivid Slimline sink mixer

Bathrooms

Apaiser Sublime freestanding bath and Lotus basins; Kaldewei Vaio Dual Oval bath from Reece; Corian Serenity basins; Catalano Sfera toilet suites and Vitra Moetropole under-counter basin from Rogerseller; Astra Walker Icon tapware and accessories in ‘Charcoal Bronze’; Stormtech 100 Range linear drainage systems

Heating and cooling

Panasonic bulkhead units; Hydrotherm Hydronic hydronic heating

External elements

Bamstone bluestone paving; custom concrete barbecue by Hungry Wolf Studio; Webforge aluminium grating; custom stainless steel slide by Allplay Equipment Australia

Other

Custom bed, ensuite vanity and dining table by Made by Morgen

Malvern Garden House Project Details

Project: Malvern Garden House
Architect: Taylor Knights
Project Team: Peter Knights, James Taylor, Julie Sloane
Consultants: Builder Dimpat
Engineer Co-Struct
Joiner Luna Joinery
Landscape architect Ben Scott Garden Design
Aboriginal Nation: Malvern Garden House is built on land for which the Traditional Owners have not yet been recognized.
Site Details: Location Malvern, Melbourne, Vic, Australia
Site type Suburban
Site area 928 m²Building area 550 m²
Project Details: Status Built
Completion date 2019
Design, documentation 8 months
Construction 13 months
Category Residential
Type Alts and adds